The Art Academy of Cincinnati Alumni Association is once again sponsoring 426 Raw Walls 2, a one night only exhibition to celebrate the support from the AAC to the creation of local artists. If interested in exhibiting, contact [email protected] with your name, address, alumni year or attendance dates.
Bruce Riley is one of those cool cats who you just want to hang out with all afternoon at an outside café drinking something hard and cool, eating tacos and talking about the mysteries of this crazy thing called life. To the contrary, when Bruce and I met, we were inside in The Commons, not drinking or eating, but we were talking about some of the mysterious aspects of this thing called the artist’s life.
Bruce is a Cincinnati native but now lives up the road a bit in Chicago. He still comes down to Cincy regularly to visit family. This time, however, he was in town for his show opening at the Miller Gallery in Hyde Park. Do yourself a favor and see his awesome and amazing paintings. The show is currently running until June 25.
Accompanied by his wife, Kelly McKaig, and sister Brenda Campbell, Bruce was gracious to spend some time with me and share his story and some sound advice to the upcoming generation of young artists.
Riley attended the Art Academy during the mid 70’s. He did not graduate but did take classes only when they were paid for by someone else. He saw early on that educational debt was crushing to young artists. When not in school, he would use his own money to rent a studio and continued working on his own. The impression I got was that he was grateful for the structure academics, but the real learning came in doing things on his own – a rebel with a cause you might say.
In Bruce’s view to be an artist is to simply do the art. Experiment. Learn. Make mistakes. Become the expert. When possible love. Expand your view by reading, talking to others and never, ever stop doing the craft. In his experience, an artist really does not come into their own until the age of 35. Bruce states, “When one works hard at ones art, that individual will have a killer skill by the age of 35. You start really finding your own voice.”That is when the consistently working artist reaches the threshold of having a recognizable name.
He describes his day as being beautifully boring. He gets up around 6 AM, putters around the house for a bit as he chases away the night’s slumber with a cup of coffee, then off to his studio which is across the street.
While in the studio, he focuses in on the work. Riley said, “In the work ideas come and go. Ideas are the goo that mutates into the next awareness. This is the stuff that comes up when you are consistently working.” For him, and probably for most prolific and successful artists, ritual, routine and discipline is what drives the momentum to keep creating. Not to say that from time to time, inspiration is just not going to show up for the day, but overall he goes to work daily.
Additional advice Riley has for the emerging artist is to take risks. Physically. Mentally. Financially. He didn’t pay attention to conventional wisdom along the way. To him it did not make sense to work at a “day” job that sucked all of your creative energy 40 plus hours a week only to make just enough money to live. This version of living renders the artist to be a weekend warrior. He was not interested in that scenario. He KNEW he was going to make his living as a working artist.
And he does by creating and selling is art so that he can afford his materials, studio and the beautiful boring life he has with his wife in Chicago. After all to sell and share your art is the goal-right?
To see the latest work by Bruce Riley, go to the Miller Gallery in Hyde Park. Click here to watch a documentary short on Bruce Riley and his work.
Genius comes in all shapes and sizes, but at the annual AAC Minumental Exhibition, no masterpiece can exceed two inches in any direction. That’s what makes it one of the best and most beloved shows among AAC students, faculty and alums year after year.
This past February, the AAC Alumni Committee hosted the 29th Annual Minumental Show at the student-run Exposure13 Gallery in Over-the-Rhine. Hundreds of art lovers attended the exhibition, and more than 200 pieces were sold netting nearly $2000 in sales. For many students, this show presents the opportunity to make that “first sale” as an artist. It also provides exposure and recognition for the impressive work created by our AAC community at large.
It was an evening of elegance, beauty and fun. The 2015 Beaux Arts Ball, hosted by the Alumni Association, brought together hundreds of Art Academy supporters to celebrate the ten-year anniversary of AAC’s historic move to Over-the-Rhine.
Honored guests included the Eleanora C. U. Alms Trust, Fifth Third Bank Trustee; The Otto M. Budig Family Foundation; The Kaplan Foundation; The Manuel D. and Rhoda Mayerson Foundation; P & G; Western & Southern Financial Group; John Ruthven, Alumni; and Carl Solway.
For decades, the AAC has carried on the Beaux Arts Ball tradition, originally inspired by art students at the National School of Fine Arts in Paris. The riotous revelry has been revived many times throughout the history of the event in Cincinnati, and over the years, it has been hosted in many different locales, including the old Art Academy building in Mt. Adams, the Cincinnati Art Museum, and the new AAC building on Jackson Street. To accommodate the large number of guests, the 2015 ball was held at the Verdin Bell Event Centre in Pendleton. The space was transformed into dazzling Venetian palazzo, thanks to the students and alumni of the AAC, who created original artwork and decorations inspired by the masked balls of Venice.
We would like to extend our sincere appreciation to our sponsors for Venezia Carnevale, the 2015 masquerade Beaux Arts Ball: Hubbell Trust, The Otto M. Budig Family Foundation, Chavez Properties, Miller Valentine Group, Brian L. Tiffany & Company, The Manuel D. & Rhoda Mayerson Foundation, The Kaplan Foundation and John Isidore and Sandy Kaltman.
Save the Date for 2019, when the Art Academy of Cincinnati will celebrate its 150th anniversary!
Alumna Christine Carli
A man of many achievements, Malcolm Grear, AAC alumnus, passed away on January 24, 2016. Grear will be remembered for his extraordinary impact on design education, in particular at the Rhode Island School of Design (RISD), where he was a devoted teacher and mentor for nearly four decades.
Picture this: Giant. Beanbags. You read that right. This is the vision of Art Academy of Cincinnati grads, Amy Scarpello and Abby Cornelius. And thanks to grant from People’s Liberty, a philanthropic lab devoted to accelerating the positive transformation of Greater Cincinnati, soon they’ll be coming to a city park, a bike path or even the lobby of government building near you.
Plop! a project dreamed up by Scarpello and Cornelius, is designed to create engagement and bring an element of whimsy to the city’s public spaces. We recently caught up with Scarpello to chat with her about the project and what life has been like since graduating from AAC.
A hero takes many forms. There is the kind that saves lives, the kind borne out of quiet determination and advocacy, and the kind that exhibits bravery in the face of danger or adversity. Then there are those heroes that encapsulate a little of all of the above. Carson Smith was that kind.
Smith, an Art Academy of Cincinnati grad, arts advocate and World War II veteran, died December 1. He was 95.
Typical “welcome to the neighborhood” gifts can come in all shapes, sizes and forms – from a pie or plate of cookies to a fruit basket or even a small potted plant. In rare cases, it can also mean adorning the entry-level walls in a neighbor’s new office building with artwork, as in the case of the Art Academy of Cincinnati (AAC), who has done just that for new neighbor Cincinnati Center City Development Corp. (3CDC).
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